Rocky Horror Show - 2006


And so it begins... The build for Cresson Lake's 2006 production of Rocky Horror Show.

After a few years of more minimalist sets, I want to go all-out for RHS this year.  I especially want to push the envelope of what you can do in CLPs space.  This is kind of special for me -- in addition to designing the set, this year's production will mark my first ever attempt at acting -- I've been cast as Dr. Scott.  Holy Scheisse!

10/29/2006 - Show closed last night, with an AWESOME midnight show.  What an incredible run!

The various pieces and parts:
See the Cresson Lake Playhouse web site for show dates and ticket information.  Come see the show!!!


The Gates

One of two major pieces in this production, a pair of gates, used in several configurations, including a drive-in movie screen, church gates, castle gates, and one more to be described below.
Gates are on casters to move about quickly.  20lb weights are hidden in the bases to keep them from tipping.  Gates themselves are 1/2 inch plywood, attached with bolts and wing-nuts for easy tear-down and transport.

Gates set closed

Gates set open

Gateposts are actually two pieces, for reasons to be
revealed shortly

Close-up of gates set with crosses, as church gate

Close-up of rear of gate, showing crosses afixed with
double-sided velcro

Close-up of gates set with what will be a "keep out"
sign, as castle gate


The finished "KEEP OUT!" sign.

Gates are painted and finished! Woo!

"The Slab"

"The Slab" is the other major piece in this production -- it has at least 4 configurations: two separate 2x3-foot carts, a 5.5x3-foot car, a 5.5x3-foot bed, and a 6x2-foot lab table.  Each cart is on casters, and two nifty 2"x4" brace contraptions are used to hold them together in the other configurations without fasteners, allows quick configuration changes and movement as one solid unit in any configuration.


the basic slab parts

Slab as car.  (Actual car sides, made of fiberglass
over foam, to come)

Slab as lab table. (The slab)

Close-up of "the contraptions."  These clever 2x4s fit between
small blocks of plywood to brace the various configurations together.
Very solid, yet they slide right in and out.

Close-up of  "contraptions" in car mode.

Close-up of "contraptions" in slab mode.

Slab as bed

Slab as bed, along with separated gateposts, to form a
very convincing 4-poster bed!

The Slab Cover

The lab table has a two-piece cover that will be used during Rocky's birth.  The entire thing is to be covered with makeshift scrim. (More on this below.)


Slab with "head" part of cover.

Slab with both cover pieces in place.

"Head" part of cover, painted and scrimmed.
A layer or two of "pet-resisting window screen," as it
turns out, makes a pretty good stand-in for much
more expensive scrim.  When lit from outside, it's
nearly opaque...

"Head" part of cover, painted and scrimmed.
...and when lit from inside, you can see through it!
(Yes, there is a reason for this, but I don't want to
give it away quite yet.)

The rest of the cover gets its coat of paint.

The entire cover is covered in makeshift scrim.

The cover gets some color.


Various accoutrements  for the slab's controls.

The slab cover, all put together.

close-up of slab controls.  Tap-lights, a gerbil wheel,
and an as-seen-on-tv food chopper.

Car

Car sides for the slab.


The car sides are taking shape.  They're still
a little flat, I'd like them rounder, but I'm very nearly
out of time.  They may stay as they are.

Together, not yet painted.  There are basically
curtain rods holding the foam to the carts.  (I'll
get a close-up of this here one of these days.) It
was prone to breakage, and I ended up using a
metric buttload of hot glue to keep these things
together.  Fortunately, it never broke during a
performance.

Painted a baby blue, masked, with grille and headlights.

Nice headlights!

Windows

The director wantedsome gothicish-looking windows for our phantoms to carry/place in a few scenes.


The "short" window, at about 4'2".  PVC
pipe bent and cemented under extreme tension.
Nearly smacked myself in the face a
handful of times.

The "short" window, laying on the ground
with another 1'6" section on the bottom,
to see how a taller window might look.
(The taller window won out. So now, I
make 5 more.)

If I can dig up a light that's capable of throwing
a gobo pattern, I'd like to project this on the back
wall during interior scenes, to sort of mask the
painted outdoor scene.

The gobo pattern, which I'll have to cut myself.

And then there were six!  They still need painted.

...and, my mind visits the gutter.  I blame it on the
fumes from the PVC cement.

Windows painted and hung.


Platforms and floor

Nothing much, really, we just wanted to put the band up high.  The stairs are mobile and there is  fireman's pole.


Band's platform, showing painted floor detail and movable staircase.

The stack o' lumber.  Doesn't look like much yet.

One set of legs takes shape.  Five
more to go! Woo!

Platforms start taking shape.

One of three finished platforms, waiting to
be moved into place.  And a home-made
ladder.

One tetanus shot later, (put a screwdriver bit
through my thumbnail. Hurt/bled like a MOTHER!)
the platforms have been moved into place!

Angle view of the platforms. They've changed a little
bit from the original drawing -- more angled, less curved,
and the steps are different, too, and worth a close-up
look...

...This was a set of steps we had at
the shop, which, by dumb luck, has the same rise
and run as the steps now built into the platform.
The step attached to the platform will be set as
a mantle in some scenes, the space underneath,
a fireplace.

Two coats of purple...

First coat of teal almost done...

First coat of teal, done! (By far THE MOST
TEDIOUS paint job I've ever undertaken.)

Second coat of teal, and spatter applied --  The
spatter's partly to break up the solid colors a bit,
but also to help hide any scuffs and scrapes to the
floor during rehearsals and performances. (A coat
or two of clear poly ought to help that, too.)

Close up of splatter. Jackson Pollock I'm not.

Platforms assembled, with railings and whatnot.

Platforms painted, mostly masked.  Stairs painted.

Platforms are done!  The silver pieces are actually
reversible tarp.  And they're actually reversible!
(That's John, our music director with the stand-up
bass.) And you can almost make out our strip- err...
fireman's pole to stage right.

Stage set for "The Floorshow."


Back Wall

The back wall of the theatre will be painted with a greyscale outdoor motif, showing a stormy night in the forest.  (Several of the scenes take place in an outdoor settings, and I didn't want to have to "build" trees.)  The greyscale shades will be closer to one another than what's pictured below in the sketches -- that's by design.  I want the design to be as subtle as possible, to where you almost have to squint to make out that there's something painted there.


Back wall detail.

Back wall with gobo windows. (Same as above.)

Back wall starts to take shape.  My craft-store projector
was money well spent way back when -- projector and a
Sharpie marker made quick work of this outline.  (I do
have a line or two wrong, but I'll fix 'em.

And then there were trees.

More paint on the back wall.

Still more paint on the back wall.


Just a teeny weeny little bit more painting to do,
and the back wall will finally be done!

Finished gobo projected onto the back wall. (The
other lights you see are on the front porch of the
theatre -- the door's open.)

Transit Crystals

Ya can't get back to Transylvania without 'em!  These are super-size pickle jars (I'm going to be eating pickles for YEARS.) and driveway light fixtures, basically.  The jars are filled with bud vases, clear glass marbles and sea glass.


One constructed, the other nearing completion.
Waiting for the pickle jar to dry.  No, the black isn't
where they caught fire, that's just from where I
spray-painted the light fixtures black.

Them transit crystals lit up like it was Christmas!
Still need painted.

Transit crystals all painted a lovely shade of black.


Sonic Transducer

A portal of foam and fiberglass to be used as the sonic transducer, and a control panel or two, that, alas, was not to be.


Transducer "control panel" -- Tap-lights,
plywood, and a red silcone muffin pan.

The last-minute craptastic Sonic Transducer.  Neither
I nor the director were all that pleased with it, so
we cut it, and used instead the mylar columns I
used in Leader of the Pack.

Fridge Door

Yeah, we cut the fridge door, too.  Maybe next year.

Medusa

Medusa is a four-headed smoke machine rig.  Learn more about it here.

Medusa!

Medusa in action.



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Copyright © 2006. Ed R Zahurak. All Rights Reserved.